My Ravencon 2015 Schedule

On the weekend of April 24th, I’ll be a guest at Ravencon, a small but fun convention in Richmond, Virginia. RavenConBannerThe Guest of Honor this year is Hugo-winning author Allen Steele. There’s also a costume competition and my artist wife Heidi Hooper is a judge. It’s always a lot of fun to visit my hometown, even if I hardly get to see any of it since I’m in a hotel all weekend.

Other guests include many I’ve interviewed here on this blog: Danielle Ackley-McPhail, Philippa Ballantine, Gail Z. Martin, Mike McPhail, Tee Morris, KT Pinto, Tony Ruggiero, Lawrence SchoenBud Webster, and Allen Wold … as well as a few of the authors whose stories have been in the Tales of Fortannis books (Davey Beauchamp, Danny Birt, and Angela Pritchett).

Anyway, here are the panels where you can find me (and more may be added):

Double Dragon Book Launch!  (Friday 6 pm):  Join DD authors as they celebrate the release of the latest in the Tales of Fortannis fantasy anthologies “A Bard Day’s Knight” as well as Ventrella’s most recent novel “Bloodsuckers:  A Vampire Runs for President.”  They’ll be there to autograph copies of their books, and there will be a raffle of free book downloads as well!  With Gail Z. Martin, KT Pinto, and Angela Pritchett

Opening Ceremonies (Friday 7 pm): Guests are introduced to the audience.

Elementary, My Dear Watson (Friday 10 pm):  Why is  Sherlock Holmes still so popular?  People are flocking to recent comic releases, films, and plays. Panelists will discuss why Sherlock is still such a popular figure in contemporary culture.  With C.M. Adams, John Gregory Betancourt, Karen McCullough, and Bud Webster

CJ Henderson Memorial (Friday 11 pm):  Friends and Fans of CJ Henderson gather together to remember this iconic author.  With Danielle Ackley-McPhail, Heidi Hooper, Mike McPhail, and Jean Marie Ward

Why Editing Matters (Saturday 10 am):  Editors are the unsung heroes of the writing industry, and they sometimes get a bum wrap for asking the tough questions and getting the story ready for prime time. Why do editors have the reputation of “adversary” with some writers? What are your expectations for them? What is their job and how does it fit in with your job as a writer? What’s the difference between developmental and line edits? Why is editing so important?  With Philippine Ballentine, John Gregory Betancourt, and Emily Lavin Leverett

New Releases from Perseid Press (Saturday 11 am):  Come hear about this year’s upcoming releases from Perseid Publishing! With Richard Groller

Writing Critical Hits: RPG tie-in fiction (Saturday 8 pm):  Writing RPG tie in fiction without letting the reader hear the dice roll. This panel can also go into what to expect from RPG publishers as far as what you can and can’t do in their worlds.  With Harry Heckel, Chris Jackson, and Mike McPhail 

The Eye of Argon (Saturday 11 pm): The worst science fiction story ever written gets a reading by our brave panel as they compete to go the longest without tripping over a misspelled word or laughing uncontrollably. Audience members are also encouraged to take a chance. Can you keep a straight face, especially when the panel begins acting out the story? With Gail Martin and Ian Randal Strock

Is “Ancient Aliens” Racist?  (Sunday 11 am):  If ancient aliens exist, does this mean humanity is not responsible for inventing anything? A discussion of the likelihood and alleged evidence for ancient alien visitations.  With Robert Blaskiewicz, Nicole Givens Kurtz, and Randy Richards 

Visibility 101 (Sunday noon):  In an industry brimming with independent presses and magazines, it can be daunting for the burgeoning speculative writer to find a way to stand out. Writers and artists share the marketing secrets that have helped put them on the map.  With Gail Z. Martin, D. Alexander Ward and Meryl Yourish

My Turn to be Interviewed

Noted author Ryk Spoor interviews me on his blog this week. Check it out and leave a comment! (Bloggers love comments.)

A Bard Day’s Knight

Adventure! Drama! Mystery! Humor! It’s all here in the third TALES OF FORTANNIS anthology, A BARD DAY’S KNIGHT, featuring stories set in the world of my novels.

Here’s what some prominent writers who got a preview said about this book:

“From the ridiculous to the sublime to the downright heartfelt and — at some instances — mildly terrifying, Ventrella’s collection promises you that in Fortannis, anything and everything is up for grabs.” — Tee Morris, author of the Ministry of Peculiar Occurrences series

“A very readable collection of classic fantasy adventure.” – Lawrence Watt-Evans, author of The Misenchanted Sword and the Annals of the Chosen seriesabbey-bard-510

Ryk Spoor decided to do a complete review rather than just a short blurb!:

A Bard Day’s Knight is the third anthology of stories in Michael Ventrella’s world of Fortannis, a fantasy world that is both clearly part of the high fantasy tradition in its general makeup, but incorporates Ventrella’s own touch to make it a much more living world, with its own traditions, a broad assortment of inhabitants ranging from furry, catlike gorbe to the more familiar humans, elves, and dwarves – though even the most familiar will have their own unique twists to offer.

Though the title is humorous, readers shouldn’t be fooled into thinking that this is parody or comedy; while many stories have a lighthearted touch to them, others do not, and almost all of them have strongly serious elements.

The fourteen stories in this anthology compare, overall, very well with those in the prior anthologies; this is, in fact, the strongest of the three, with only one story that I felt was overall a weak tale, and the others ranging from quite good to brilliant.

What is really fascinating about an anthology like this is seeing what the world of Fortannis looks like through eyes with so many different perspectives. Old familiar friends are here – Ventrella’s own squires Terin and Darlissa, Curso Brambletoes the clever, subtle hobling, exiled sellsword Sarlon and his companions Minnow and Mumblepeg – and new ones, including a unique view of the life of a rather unusual Goblin in “Shiny Savior”, the eponymous and clever hero of “The Life and Death of Beryl Truesword”, Brenlund in “Blinded” who has to overcome his preconceptions to save both himself and others from a terrible fate.

Most of the stories have strong voices – the characters that must drive the story quickly define themselves, telling us who they are and why they matter, whether they are noble, poor, human, goblin, warrior or sorceror – and the challenges they overcome loom large within the stories, whether they are threats to many or merely the problem of day-to-day survival.

The last anthology I think I gave four stars; this one is easily four and a half, perhaps five; I had a lot of fun reading A Bard Day’s Knight, and anyone who enjoys fantasy adventure should too! – Ryk Spoor, author of Grand Central Arena and Phoenix Rising

A BARD DAY’S KNIGHT features the following tales:

Honor Battle by Michael A. Ventrella:  Terin’s decision to impersonate a poor farmer boy who has to participate in “trial by combat” backfires in more ways than one as he finds himself facing a familiar foe he can only beat through cunning and wit.

The Mystery of the Dead Cat in the Darkness by Bernie Mojzes: When the dead cat nailed to her door comes to life, bites her, infects her, and then runs off, Marin knows today will not be a normal day.

Dragon 142 by KT Pinto:  The oddball quest of some ragtag adventurers is viewed through the eyes of a straight laced, haughty, smarter-than-thou gryphon.

Take Care on the Farfin by Jon Cory:  On a deserted beach, a sellsword knight, a spotted dwarf and a beautiful elf discover that than there are worse things than being marooned.

A Matter of Death and Life by Mark Mensch:  Even a cunning rogue like city-born Nigel Peaks has trouble from time to time and needs the help of a kind stranger to get out of a not-quite-dead woods.

The Dragon in the Kettle by Christine L. Hardy:  Dragons are extinct, right? And if they did exist, they’d be terribly dangerous and illegal to own as well? So what is a poor blacksmith to do when she discovers that she has helped a baby dragon hatch in her own smithy?

Curso and the Passing Tree by Roy C. Booth and Brian Woods:  Curso the hobling is helping a loved one prepare for his final hour, but there are creatures in the woods who will do everything to prevent a peaceful passing.

Blinded by Laurel Anne Hill:  A young man whose only job is to be the official caretaker of mystical fish encounters a mysterious woman, a ruthless necromancer and life-threatening danger of the kind he’s never seen before.

The Life and Death and Life of Beryl Truesword by Derek Beebe: Beryl Truesword traveled to the other side of the world to defeat an evil dictator, but how can she kill someone who can foresee the death of anyone and tell the future?

Shiny Savior by Shane Porteous:  An unusual goblin discovers why sometimes it is better to follow your stomach instead of your curiosity.

The Ungrateful Undead by Beth W. Patterson:  What happens when zombies retain a shred of their consciousness and are forced to perform against their will?

Jump Back into the Fight by Tera Fulbright:  A group of unlikely adventurers spend an introspective, long, rainy night, then rise with the sun to face their fears.

The Twisted Forest by Angela Pritchett:  A brave woman must face a group of evil gnomes to save one of her elven wards who has been kidnapped into the Tainted Forest.

Unscarred by Mike Strauss:  How can a simple alchemist, untrained in combat, survive a brutal and deadly coming-of-age ceremony?

Click here to order this book!

Politics (or “How to anger your readers”)

Should writers avoid discussing politics and religion and other controversial topics in order to not alienate potential readers?

At the recent Mysticon convention, I was on a panel about using social media to promote yourself (something I have written about here before). The rest of the panel agreed that avoiding such things was important.politics

I disagreed.

If you follow my political blog or are a friend on Facebook, you know that I don’t shy away from giving my opinion. It’s who I am. I think it’s more important to be true to yourself and let people see you as a real person as opposed to a bland guy with no views on anything important. Yes, my political views may challenge you. So may my books.

Have I lost friends on Facebook because of it? Yes, I have. But from what I can tell, I have added many more than I have lost. People read my comments, share them, discuss them, and that attracts other people who then check me out.

The point of social media as a promotional tool is not to use it as a constant advertisement for your books. It should instead be used to make potential readers like you and thus want to read your work.

So here’s how you do it (not that I am always successful at it):

Be entertaining. That’s always your goal when posting. Share a joke or a cartoon or a thought that is entertaining; that other people want to read. If you’re going to talk about politics or religion, offer an insight or a witty comment and not just say “Obama sucks!” or something on the level that any idiot could say. You’re the thinking writer. Show off your damn writing skills. Be eloquent and say something that no one else has said.

Don’t be insulting. I mean, sure, calling a politician an idiot is an insult, but you shouldn’t be insulting merely for the sake of being insulting. “Ben Carson is an idiot” is something a 10-year old could have posted. “Ben Carson is an idiot because he has said the following stupid things” offers something of substance to back up your insult. (And is it really an insult if it’s true?)

Don’t be stupid. Don’t fall for every internet meme you see. Do your research. Chances are Sarah Palin didn’t say that we shouldn’t have ended slavery and Obama didn’t say we should hand Iran a nuclear weapon for free. Make sure everything you post is true and verifiable through reliable sources. Your reputation is important, isn’t it?

Set the rules and don’t let people push you around. My Facebook page is open for anyone. You can read everything and post a reply at any time. However, it’s my page. If we’re having a discussion on gay marriage and some troll comes in and wants to change the subject and complain about how a Kenyan Muslim in the White House is destroying America, I will tell him to stop and if he doesn’t, I will delete the messages.

It’s my house. You are invited in as long as you remain polite and not try to change the subject of the discussion to whatever you feel like ranting about.

I’ve had that argument more than once with people who wander in after reading something and then try to take over, and when I tell them to stop, they complain that I am “censoring” them. No, I am editing them. It’s my page. You don’t have a right to post on it.

I’m never going to stop talking about controversial subjects. It’s who I am. It will anger some people. The people it will anger will probably also be angered by my latest novel BLOODSUCKERS. So screw them. Read something else.

My 2015 Mysticon Schedule

On the weekend of February 27 – March 1, I will be a programming guest at Mysticon in Roanoke, Virginia. We went last year and had a blast and I’m happy to have been invited back.

The special guest this year is Sean Maher (from “Firefly”) but I’m more interested in meeting Peter David, whose books I’ve always enjoyed. MystiCon(My interview with him from a few years ago is here!) Also in attendance will be many of my friends, including some I have interviewed here on this blog: Danielle Ackley-McPhail, Gail Z. Martin, Mike McPhail, KT Pinto, Peter Prellwitz, Leona Wisoker, and Allen Wold.

And if you’re a fan of my Fortannis anthologies, you’ll find some of those authors as well (namely Davey Beauchamp, Danny Birt and Tera Fulbright, as well a few who will be in the forthcoming collection A BARD DAY’S KNIGHT — Angela Pritchett and the aforementioned KT Pinto).

Anyway, if you’re there, be sure to say hi! I’ll be on a bunch of panels and my artist wife Heidi Hooper will be judging the Masquerade competition and hosting some art panels as well.

Here is my current schedule:

The Top Animated Films of All Time (Friday 3 pm): A debate over the list of best animated films. Will our panel agree or will the discussion break out in fisticuffs?  With Billy Flynn, Stuart Jaffee, Darin Kennedy, Genesis Moss

Fantasy World Building (Friday 6 pm): Whether it’s creating entire new worlds or integrating your story into everyday life, fantasy writers can find inspiration in the smallest things that can lead to a whole new world of mystery and magic. How they do it, how they choose, how they are inspired, what fans love or hate, etc.  With R.S. Belcher, Liz Long, Gail Z. Martin

Author Reading (Friday 7 pm): Michael A. Ventrella’s humorous adventures are full of twists and turns. Come hear excerpts from his latest “Bloodsuckers: A Vampire Runs for President” and maybe his story about the Marx Brothers in Hell, depending on time.

All Dressed Up and Ready to LARP (Friday 8 pm): This panel is to give interested parties or parents an idea of what is involved in LARPing.  With Owen Anderson, Jestin Jeffers, Robert Sohl

The Eye of Argon (Friday 10 pm): The worst science fiction story ever written gets a reading by our brave panel as they compete to go the longest without tripping over a misspelled word or laughing uncontrollably. Audience members are also encouraged to take a chance. Can you keep a straight face, especially when the panel begins acting out the story?  With Peter David (maybe!), Gail Z. Martin, KT Pinto, Peter Prellwitz, Leona Wisoker

Tooting Your Own Horn With Social Media (Saturday 11 am): Done properly, self-promotion is an important part of building a career. Poorly executed, self-promotion can do more harm than good. Our panelists will discuss what works and doesn’t work along with these common questions: Do book-signings really help a small author? Are bookmarks and/or postcards effective at garnering attention? Does a blog help or hurt an author? Does an author have to have a website?  With Danielle Ackley-McPhail, Chris Kennedy, Liz Long, Steve Long

What Makes an Animated Film? (Sunday 11 am):  With CGI in almost every film, the distinction between live-action and animated film is changing.  Is “Guardians of the Galaxy” an animated film given that two of its main characters were animated?  What about the Star Wars prequels?  Does capture-motion count?  The panel will discuss various animation styles and try to determine how one can judge what exactly is an animated film these days.  With Emily Mottesheard, Christine Parker

Making Politics Work in Fiction (Sunday noon):  Real world political narratives are filled with cultural revolutions, passionate speeches about social change, war, and intricate, Machievellian plots. How can you portray them convincingly in your story? From noble houses in fantasy worlds to galaxy-spanning empires in SF, how do you make them believable and engaging without burying your reader in the intricacies of your setting’s political theory?  With Stuart Jaffee, Tally Johnson, Thomas Monaghan, Gary Rinehart

My Turn to be Interviewed

Derek Beebe interviews me on his blog this week. Check it out and leave a comment! (Bloggers love comments.)

Interview with author Jim C. Hines

MICHAEL A. VENTRELLA: I am tremendously pleased to be interviewing Jim C. Hines today! Jim is best known as a fantasy novelist and the guy who did those gender-flipped SF/F cover poses. JCH-TARDIS-300x287His first novel was GOBLIN QUEST, the tale of a nearsighted goblin runt and his pet fire-spider. After completing the goblin trilogy, Jim went on to write the “Princess” series, four books often described as a blend of Grimm’s Fairy Tales with Charlie’s Angels. He’s currently working on the “Magic ex Libris” books, which follow the adventures of a magic-wielding librarian from northern Michigan. He’s also the author of more than forty published short stories. His web page is here.

Let’s talk about your latest news: The FABLE book, based on the best-selling game. How did that come about?

JIM C. HINES: The publisher contacted my agent to see if I’d be interested in writing the book. I’m guessing a lot had to do with my previously published work, particularly the GOBLIN QUEST series, which has some of the same fantasy and humor feel as the Fable game universe. My agent and I talked about the contract details, he went back and did a bit of negotiating, and voila – I got to write FABLE: BLOOD OF HEROES, which was a great deal of fun.

VENTRELLA: What kinds of limitations did they give you? In other words, how far away from the main narrative could you go?

HINES: I had a fair amount of freedom with the story. They wanted a book that would introduce the characters and the world, but I wasn’t novelizing the plot of the game. I had to set the story in the world of Albion, and to use the characters from FABLE LEGEND, but I was able to introduce my own villains and secondary characters, my own plotline, and even my own quirky little town.

VENTRELLA: What is it like writing a story that has already been written, with characters you didn’t develop? Did you find it liberating (“Hooray! I don’t have to spend months working all the details out!”) or confining (“Dammit, I want the character to do this but I am limited by what someone else wrote first!”) or somewhere inbetween?

HINES: I was hoping it would be a bit easier to write pre-existing characters, but as far as I can tell, nothing about writing ever ends up being easy. Libriomancer-LgLionhead came up with some interesting and entertaining characters. Sometimes it was fun to play with ideas I wouldn’t have necessarily come up with on my own. But there were also moments when I wanted to do something with a given character and couldn’t, because it didn’t fit with what Liongate had set up.

VENTRELLA: Assuming that this is like other games, your character could make different choices which could change the ending completely. How did you approach this?

HINES: I haven’t played LEGEND, but I’ve played some of the other FABLE games and read some of the previous tie-in books, so I was definitely thinking about the emphasis on choice. I tried to include some moments for the characters where they had a clear and important choice to make. Trust this character or don’t? Fight or flee? Kill or capture?

VENTRELLA: Who do you think the audience is for these kinds of books?

HINES: Well, we want it to appeal to fans of FABLE. First and foremost, I hope that all the hard-core chicken-chasers will approve. But if I’ve done my job well, you shouldn’t have to be familiar with the games to enjoy the book. If you like fantasy and quirky humor, you too can be part of the audience!

VENTRELLA: What will people who have already played the game get out of it?

HINES: Right now the game is still in beta testing. I don’t know if the book will come out before the game, or how that schedule will work. So it’s possible this could be the first real point of entry into FABLE LEGENDS world. For those who have played the previous games or participated in the beta, my hope is that they’ll get some insight into the characters, some exploration of Albion and its history, and a new adventure to enjoy.

VENTRELLA: Let’s talk about the “Goblin Quest” series. Where did the idea for that originate?

HINES: I guess I’ve always had a soft spot for the underdogs, and it’s hard to get more underdogged than the goblins. How many goblins got slaughtered in the Lord of the Rings and Hobbit movies, just for being in the wrong place at the wrong time? So I really liked the idea of taking this scrawny, nearsighted goblin runt and doing a typical fantasy adventure from his point of view, with all of his questions about fantasy logic and this so-called “heroism” stuff.

VENTRELLA: What inspired the “Princess” series?

HINES: Those books were for my daughter, who went through a princess phase when she was younger. Red-Hood-LgSome of the movies, and a lot of the merchandise, all stressed that a princess has to look pretty and be rescued and so on. I wanted stories about princesses who teamed up and kicked butt and beat the witch and saved the prince. I also wanted to play with the older fairy tales, and to do something fun with it, like turning Sleeping Beauty into a ninja, or letting Snow White run around doing mirror magic.

VENTRELLA: I’ve blogged about humor in fiction, and feel that tooLibr many authors think that if your characters crack jokes then you can’t make serious points or make them ever seem to be in danger. Since humor is a part of your work, how do you approach it? How do you find the right balance?

HINES: Humor and serious go quite well together. Just ask Joss Whedon. The contrast between humor and fear/pain/tragedy can make both more powerful. You don’t want to let the humor undermine the tension, but that’s just a matter of practice and learning how to write it. Human beings crack jokes. Even in dark times. Especially in dark times. It’s one of the ways we cope. Completely stripping that out of a story feels dishonest and hollow to me.

VENTRELLA: You haven’t avoided talking about politics on Facebook and your blog. Do you ever worry that this may alienate readers?

HINES: It’s weird. A fair amount of what I talk about are things like sexual harassment and racism and sexism, stuff I’d have assumed most people agreed were bad, regardless of politics. But it’s the internet, so everyone seems to get assigned to one “side” or the other, and that’s the end of that. It’s definitely cost me some readers. But I think these are important things to talk about, and I’ve ended up with a bit of a platform to do so. It would feel like a betrayal not to do so. I try not to be a dick about things, but it doesn’t matter how polite and “civilized” you are. There’s always someone who’ll get pissed off at you.

VENTRELLA: How much of writing is innate? In other words, do you believe there are just some people who are born storytellers but simply need to learn technique? Or can anyone become a good writer?

HINES: I think practice and skill are far more important and useful than talent. Looking back, I don’t know how much of where I started was actual talent vs. skills I’d picked up over my life, from reading and telling jokes and getting a pretty good education and so on. Goblin-Quest-LgBut wherever you start, pretty much all of us have to work to improve before we become Good Writers™.

VENTRELLA: What criticism of your work do you disagree with the most?

HINES: I try not to disagree with criticism, as a general rule. Once my book is out there, it’s up to the reader what they find in the story. Who am I to say they’re wrong?

That said, it annoys me to be told I only included a non-white or non-straight character as part of an “agenda,” or to push some mysterious “message” down people’s throats. Acknowledging the existence of people who aren’t exactly like me isn’t a message. And choosing to exclude people who aren’t like you from your stories is lazy, lousy writing.

VENTRELLA: Which of your characters was the hardest to write and why?

HINES: Lena Greenwood, the dryad character from the LIBRIOMANCER books. I’ve been working to get her character right for at least a decade. The way I wrote her and her backstory is problematic as hell. This series deals with the magic of books, and Lena was “born” as a sexual servant, one who gains in strength and independence over the course of the series. There’s a lot I’ve tried to do with her journey, but it’s so easy to mess up, and I know I’ve made mistakes along the line. For some people, she’s their absolute favorite character, but she’s been tough to write.

VENTRELLA: Writers are told to “write what you know.” What does this mean to you?

HINES: I prefer to flip it to “know what you write.” Do your research, and make sure you know what you’re talking about.

VENTRELLA: What do you do to avoid “info dumps”?

HINES: Mostly, I try to pay attention to when I’m getting bored while writing the story. There’s nothing wrong with exposition and info dumps from time to time, as long as it’s interesting. But the moment I start getting bored, that’s a clue to look more closely at the story and figure out why.

VENTRELLA: When going through second and third drafts, what do you look for? What is your main goal?

HINES: My first draft is when I get a sense of the book’s structure. I can’t hold an entire novel in my head, and outlines help, but they only work so-so. Cover2Once I’ve finished that first draft and know more or less how the book goes, I can go back and start developing the characters better, cleaning up plot problems, and generally delving deeper into the story.

VENTRELLA: Science Fiction doesn’t seem to be selling as much as fantasy these days, including urban fantasy and all the varieties. Why do you think that is?

HINES: Not a clue. I think it depends on where you look, too. Are superheroes science fiction? If so, then Marvel’s films are blowing away most of what’s out there. Video games? Paranormal romance vs. sword and sorcery? I try not to worry too much about what’s hot this year, and to just write stories I love.

VENTRELLA: Do you think it is important to start by trying to sell short stories or should a beginning author jump right in with a novel?

HINES: I was told you have to write short stories first, and I spent years doing that before really trying to write novels. That was Bad Advice. There’s no one right way to learn, and while short fiction used to be the “traditional” road for breaking into novels, these days I’d tell people to write whatever the heck they want. Enjoy short stories? Do that. Prefer books? Start writing them.

VENTRELLA: Do you think short stories are harder to write than novels?

HINES: I think they’re different. For me, short stories are much faster to write. You know, on account of being shorter. I like that. But you have some of the same challenges of characterization and worldbuilding and so on.

VENTRELLA: What’s your opinion on self-publishing?

HINES: I like anything that gives authors more options, and gives readers more ways to find stories they love. I could do without the religious crusades about the One True Way to publish, though.

Most of my books are through DAW, a commercial publisher in New York. I’ve also self-published some electronic chapbooks, as well as a mainstream novel and a fantasy novel project that … well, let’s just say RISE OF THE SPIDER GODDESS probably wouldn’t have found a home at most self-respecting publishing houses.

VENTRELLA: In this market, with the publishing industry changing daily, how important is the small press?

HINES: I think the small impress has been and continues to be important. They have more ability to take chances and to take on projects that might not sell huge numbers, but are important and powerful nonetheless.

VENTRELLA: What sort of advice would you give an un-agented author with a manuscript?

HINES: Finish the manuscript, and do some research. Learn how agented and unagented authors built their careers.Mermaid-Lg Learn the pitfalls of different paths. Read Writer Beware and other writing blogs and resources. There’s no one right way to do this, but there are definitely some wrong ways to be aware of!

VENTRELLA: What’s the worst piece of writing advice you ever got?

HINES: You have to write short stories before you can write novels.

VENTRELLA: What’s the best piece of writing advice you ever got?

HINES: I don’t know that it’s a specific piece of advice so much as a general attitude of persistence. Writing is hard, and there are times it will wear you down. Most of the successful authors I know are the ones who got stubborn and just kept writing.

VENTRELLA: What advice would you give to a starting writer that you wish someone had given to you?

HINES: Have fun. Find your own voice, and your own passion. I spent years trying to write the books and stories I thought I was “supposed” to be writing, but it wasn’t until I said the heck with it and started having fun with this goofy little goblin and his flaming pet spider that I really found myself as a writer. Coincidentally, that’s the first book I sold. Go figure.

VENTRELLA: Who do you like to read? Who are your favorite authors?

HINES: It depends on when you ask! Terry Pratchett, Janet Kagan, Nnedi Okorafor, Seanan McGuire… Heck, I’m on Goodreads. You can see my shelves here.

VENTRELLA: What projects are you working on now? What can we expect next from you?

HINES: I’m working on the fourth LIBRIOMANCER book, which is called REVISIONARY and should be out in February of 2016. I’m also finishing up the copy-edits on FABLE: BLOOD OF HEROES. Beyond that, I’m starting on INVISIBLE 2, which will be a collection of essays about representation in science fiction and fantasy. I’ve also got several anthology invites waiting for me to write short stories. So basically, I’m in no danger of getting bored any time soon!

VENTRELLA: With a time machine and a universal translator, who would you invite to your ultimate dinner party?

HINES: I’m not actually much of a party person, so I’d probably keep it small. Maybe David Tennant and my wife to start with. (So that my wife could meet David Tennant, which would make me the Best Husband Ever. And also because I’m a bit of a fanboy myself.) Janet Kagan, who was something of a mentor for me, but passed away before I could meet her in person. I’d also want to invite someone who can actually cook, you know? Oh, and maybe Gutenberg, because he’s one of the characters in my current series, and if I got him to sign one of those books, it would be a pretty awesome memento!


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