Bloodsucker: A vampire runs for President

Every politician has some skeletons in their closet, but for only one is this literally true.  Presidential candidate Norm Palmer’s road to the White House is progessing smoothly but for those crazed right-wing fanatics who are accusing him of being a vampire!  Their accusations are the laughing stock of the campaign, until one investigative reporter stumbles across some very interesting evidence — but who would ever believe him?

“Bloodsucker!”  It’s the West Wing meets the bat wing.

Yes, I’ve started work on my next book.   More on this later.

At the recent Society of Children’s Book Writers and Illustrators’ writers conference here in the Poconos, I had the pleasure of meeting a number of great writers, agents, and editors.   As one of the few in attendance who wrote Young Adult novels, I sometimes found that I had little in common with those who wrote children’s picture books, but it was still a learning experience especially since the things we did have in common (finding agents, dealing with publishers and editors) provided fuel for conversations.

I was honored to be asked to participate as a moderator for a group of aspiring unpublished writers and to join the other published authors in a question-and-answer period.  

There were seminars and group sessions where we had our work critiqued, and I was able to pitch the idea for Bloodsuckers to other writers and editors, where it was well received —  well, except for the “Oh, not another vampire novel” comments.

I’ve never been a huge vampire buff.   I haven’t read or seen “Twilight” or “True Blood.”  But I am a big political junkie.  I graduated cum laude with a degree in Political Science before going off to law school, and have worked as a lobbyist and political reporter as well as spending a summer as a campaign manager for a state representative up in Boston.  I’m still actively assisting local campaigns.

Anyway, when someone made a comment about all those “bloodsuckers in Congress” recently, the proverbial comic light bulb illuminated the brain.   I expect this will end up more as a political novel than a supernatural one.

In some ways, I plan on making fun of those extremists who believe in every conspiracy about a candidate.  Of course, this time they happen to be right…

I see this on the political boards I visit.  The right wing crazies who hate Obama attack him for the stupidest things:  He wasn’t born in America!  He is a closet muslim/socialist/drug dealer!  He wants to create a North American monetary system and work toward a world government, making us all subservient to the UN!  — You know the type.  

The problem with this kind of “Chicken Little” hysteria is that when they finally have a real issue to criticize him on (and there are real issues, of course) no one pays any attention to them.

So what if these same loonies uncovered the fact that the candidate was a vampire?  I mean, they’re crazy already, but this is going too far, right?

I should have a lot of fun with this!

Help! I’m being pursued by an albino monk!

In my last blog, I mentioned that I always attempted in my writing to not handle character development the way Dan Brown handles character development, which is to say “not at all.”

It has been brought to my attention that speaking ill of one of the biggest selling authors of all time is probably not a good way to endear myself in the writing community as I attempt to interest an agent and publisher for future works…

So allow me to state, in all honesty, that I have read three of Dan Brown’s books and enjoyed them quite a bit.  In fact, in some ways, I have tried to copy some of his techniques (if not his “character development”).  

What Dan Brown does great is set up secrets and mysteries and twists, which if you have read my work or at least the reviews, I obviously love.  I enjoy books and movies where the reader/viewer is not spoon-fed the plot at the start and can be just as surprised as the main character when mysteries are revealed.

One of my favorite SF series is James P. Hogan’s “Giants” series, which begins with INHERIT THE STARS.  Mr. Hogan writes that hard SF that I could never do, and is also a very nice man I have had the pleasure of meeting in the past.  In this series, a scientific mystery erupts (what is a 10,000 year old human skeleton in a spacesuit doing on the Moon?) and the main characters attempt to scientifically solve this mystery.  At the end of the first book, you say to yourself “Ah! Glad that was solved!”

Then the sequel begins, and something new is added and suddenly the mystery is renewed and the earlier theory is abandoned.  And throughout the books, I am thrilled to be confident in my understanding of the situation only to discover that what made absolute sense earlier now is meaningless.

It’s the scientific method at its finest.

In any event, I attempt to do that with the Terin Ostler books.  Terin has mysteries he has to figure out, and he comes up with theories that are perfectly logical and make absolute sense — until he learns something new and his world turns upside down.

And that’s something in which Dan Brown excels.

The other thing I like about Dan Brown’s books are that they are action-filled, as if he knows they are going to be movies.  Now, there is such a thing as having too much action, but it’s better to err on the side of keeping the reader anxiously continuing than to bore them with too much descriptive prose.  

So, to those Dan Brown fans, forgive me.  I am merely a writer hopeful, with one minor novel with a minor publisher, and I should not have maligned his work without also acknowledging his strong points.

But seriously, dude, have the characters develop, OK?

How not to develop characters

At one of the panels in which I was a guest at Lunacon this past weekend, we had a nice discussion about character development in books.  I used the example given by Dan Brown, writer of THE DAVINCI CODE.

“Dan Brown always lets you know if, for instance, a character is cynical with a good sense of humor,” I said.  “He writes: ‘Dr. Smith was cynical, with a good sense of humor.'”

If you can’t tell from the way my characters act and what they say whether they are cynical and have a good sense of humor, then I have failed as a writer.

To me, the most important aspect of any story is how it affects the characters.  Oh sure, the plot is important and keeps it exciting, but I really don’t like books (and movies) in which the hero is exactly the same before and after the adventure.

axesofevilARCH ENEMIES and its just completed sequel THE AXES OF EVIL are all about how Terin changes from the cowardly bard to a more confident “hero.” The things he goes through change him, slowly, but not unreasonably.

For instance, by the end of AXES he’s still a bit of a coward, but he considers it a reasonable reading of reality.  He doesn’t shy away from speaking his mind and showing bravery in other ways, but when a battle breaks out, he still runs to the back and tries to stay out of the way.

But I guess that goes toward another pet peeve of mine:  Main characters who within a sort span go from being a nobody to the best swordsman in the kingdom or most powerful wizard of what-have-you.  Character development to me means more than just emotional development — it means realistic development in other ways, too.

And the more real the character, the more believable all the other fantasy things I can throw into the mix!

Latest news: Conventions and a new Rule Book

Since this blog is about writing, I wanted to take a quick break and review where I am professionally (?) at this moment…

I have been attending Jonathan Maberry’s monthly wrirter’s coffee and it has been very inspiring and helpful.  Next month I will be attending a writer’s weekend here in the beautiful Poconos which also should help me hone my writing skills as well as make some connections and better learn how to promote myself.

Next weekend (March 20th) I will be at the Lunacon science fiction convention near New York city, where as a featured guest I will be on a few panels as well as participating in an autographing session.  In April, I will be doing the same at Ravencon in Richmond and in May at Balticon in Baltimore.

The “Arch Enemies” sequel (“The Axes of Evil”) is done (first draft anyway) and I have sent out copies to friends and fans for comment.  If anyone reading this wishes to help, I would appreciate it!  Contact me!

My new Rule Book for the Alliance LARP has just been released and is selling well on Amazon and Double Dragon.  Links at my web page:  http://michaelaventrella.com.  I’m quite proud of it!

But other than that I have been tremendously busy and haven’t had much time for writing.  More next time!

Establishing a fantasy world

When writing and creating a fantasy world for a novel, I knew that I needed to explain the world and the way it works in non-sleep-inducing manner. Too many fantasy novels begin like a history text, explaining the background and setting the scene. I hate that. I don’t want to have to study before understanding the story.

In ARCH ENEMIES, Terin is a young lad who has very little knowledge of the world and the ways of magic. He has lived at home until just before the book begins, runs away to find fame and fortune, and learns as he goes along. Rather than having the narrator explain everything at the start, ARCH ENEMIES is told in first person. Things happen in the early chapters that don’t make sense to Terin until much later.ArchEnemies-510

Our reluctant hero is accompanied on his quest by an older squire who teaches him along the way, but her lessons never take so long that the action stops. In fact, much of my second and third drafts consisted of me saying “This gives away too much too soon” and “this slows things down too much” and moving whole chunks to later in the book. I even removed entire sections that explained much about the world but were irrelevant to the story.

Terin also asks many questions about the novel’s basic mysteries along the way. What am I supposed to do to solve the prophecy? Why am I not allowed to read it? What if I am not the person named in the prophecy and they grabbed the wrong guy? Why are the dwarves being attacked and having their memories erased? Who stole the magical homestone needed for the ritual? Why did that barbarian look at me in fear and call me “Bishortu?” He comes up with theories for each of these which almost always are proven wrong, but this allows the reader to consider them as well and come up with their own ideas.

Giving away everything at the start is no fun. Everyone loves a mystery. And the same goes to the “rules” of the fantasy world in which the book exists.

The reluctant hero

Enough with the superheroes.

This may just be a matter of taste, but too many fantasy novels are about extraordinary people. The prince who has special powers because he was the seventh son of the seventh son, the prophecized one who in a matter of weeks becomes the greatest swordsman in the land, the boy who never knew his parents and learns he alone has the power of the force… you get the idea.

These are certainly traditional heroes going back since story-telling began, but you know, when these people complete their quests, it’s kind of inevitable.

When I created Terin Ostler for ARCH ENEMIES (and its soon-to-be-published sequel THE AXES OF EVIL) I didn’t want to do that. Terin is an ordinary kid with big dreams, but he’s not the son of a god or the chosen one. The only problem he has is that everyone thinks he is.ArchEnemies-510

I thought it would be fun to take someone and throw them into one of these epic stories involving a prophecy and see how they would react. For those of you reading this who have not read ARCH ENEMIES, Terin is grabbed and told he must complete a quest because he is named in a prophecy, but the prophecy doesn’t say exactly why he was chosen or even what he is supposed to do. He’s a complete coward with no magical skills or weapon skills. He’s just an aspiring bard who wants to only sing about adventures.

He then must try to live up to the expectations everyone has for him. He goes through a series of adventures largely involving avoiding the bad guys trying to prevent him from completing whatever-it-is he’s supposed to do, and in the end, he accomplishes his goal not through his amazing magical powers or fighting abilities (neither of which he has) but by being brave, honest, and clever.

I think this is why people (including my publisher) have compared the book to Harry Potter, and I can understand this in some ways. Like the Potter stories, Terin has a number of mysteries he has to figure out to reach the final quest, and he has to find that inner bravery in order to do so. (Unlike Potter, however, Terin doesn’t have any secret magical protection or powers above and beyond anyone else.) I like this concept, as it says to all of us that we can accomplish great things with intelligence, honesty, and bravery.

In a future blog post, I’ll discuss why I think honesty is the most important quality a person can have and how I worked that concept into the plotline.